Jean Auguste Dominique Ingres, 1810 - Joseph-Antoine Moltedo (sinh 1775) - bản in mỹ thuật

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• Bản in nhôm (aluminium dibond): Aluminium Dibond prints are prints on metal with an impressive depth. The Aluminium Dibond Print is the excellent introduction to fine reproductions produced with aluminum. The white & bright components of the original work of art shimmer with a silky gloss but without glow. Colors are luminous, details are crisp, and you can really perceive the matte appearance of the print. The direct print on aluminium is one of the most demanded entry-level products and is an extremely modern way to display fine art reproductions, since it draws focus on the replica of the artwork.
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Corsican by birth, Moltedo was an enterprising businessman and inventor, agent to the French clergy at the Vatican, and director of the Roman post office from 1803 until 1814. Painted during one of the most productive periods of Ingres’s nascent career, this refined portrait belongs to a series of commissions he received from French officials in Napoleonic Rome. They are distinguished by the inclusion of Roman views as backdrops—in this case the Appian Way and the Colosseum—as well as by stormy gray skies, a Romantic conceit that serves as a foil to the calm and secure expressions of the men portrayed.

Đây là kết thúc 210 year-old artpiece was painted by Jean Auguste Dominique Ingres. The beyond 210 tác phẩm gốc năm tuổi có kích thước: 29 5/8 x 22 7/8 inch (75,2 x 58,1 cm). Oil on canvas was applied by the French artist as the technique for the painting. The piece of art forms part of the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This phạm vi công cộng artpiece is provided with courtesy of The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. In addition, the work of art has the creditline: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Furthermore, alignment of the digital reproduction is in chân dung định dạng và có tỉ lệ khung hình là 3: 4, điều đó có nghĩa là chiều dài ngắn hơn 25% so với chiều rộng.

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