Nicolaes Pietersz Berchem, 1670 - Câu chuyện ngụ ngôn về mùa xuân - bản in mỹ thuật

General specifications from Mauritshuis website (© - Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222)

Thông tin tác phẩm nghệ thuật có cấu trúc

bàn nghệ sĩ

Thông tin bài viết

Có được tùy chọn vật liệu in mỹ thuật của bạn

Đối với mỗi sản phẩm chúng tôi cung cấp một loạt các kích cỡ và vật liệu khác nhau. Chọn kích thước và vật liệu yêu thích của bạn trong số các tùy chọn sau:

• In vải: A printed canvas, which shall not be confused with an artwork painted on a canvas, is an image applied onto cotton canvas. Furthermore, a canvas print generates a nice and pleasant appearance. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. Because of thata canvas print is suited for all types of walls.
• Poster trên chất liệu canvas: The poster print is a printed flat canvas with a fine structure on the surface, that reminds the original version of the work of art. A printed poster is perfectly qualified for framing the fine art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting to facilitate the framing with your custom frame.
• In kính acrylic: An acrylic glass print, which is often named as a fine art print on plexiglass, transforms the original work of art into beautiful wall décor. The great advantage of an acrylic glass fine art copy is that sharp contrasts and minor details become recognizeable because of the delicate gradation. The acrylic glass protects your custom fine art print against light and heat for many decades.
• Nhôm dibond (bản in kim loại): Aluminium Dibond prints are prints on metal with a true effect of depth. The white and bright parts of the artpiece shimmer with a silky gloss, however without any glare. The colors of the print are luminous and bright, the fine details of the print are clear and crisp.

Sản phẩm nghệ thuật cá nhân của bạn

In 1670 Nicolas Pietersz Berchem đã tạo ra bức tranh thế kỷ 17 này "Allegory of Spring". Phiên bản của tác phẩm nghệ thuật đo kích thước của chiều cao: 94,3 cm chiều rộng: 88,5 cm | chiều cao: 37,1 chiều rộng: 34,8 inch và được vẽ bằng kỹ thuật of dầu trên vải. The artwork's inscription is: "signed: Berchem f". Moveover, the work of art is part of the Mauritshuis's digital art collection, which is located in The Hague, Nam Hà Lan, Hà Lan. Với sự lịch sự của: Mauritshuis, The Hague (giấy phép miền công cộng). : Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222). Hơn nữa, sự liên kết của tái tạo kỹ thuật số là trong vuông định dạng and has an aspect ratio of 1 : 1, which means that the length is equal to the width.

Disclaimer: We try our utmost in order to describe the art products as clearly as possible and to illustrate them visually on the various product detail pages. Although, the tone of the printing material, as well as the print result can diverge slightly from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as exactly as the digital version on this website. Considering that all our art prints are printed and processed by hand, there might also be minor differences in the size and exact position of the motif.

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