Ferdinand Georg Waldmüller, 1855 - Phong cảnh rừng Vienna với lâu đài Wildegg - bản in mỹ thuật

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Vienna Woods Landscape with Castle Wildegg was created by Ferdinand Georg Waldmüller in 1855. Các 160 year old painting was painted with the following size: 65,5 x 81 cm - frame dimensions: 80 x 96 x 8 cm. Dầu trên vải was applied by the European painter as the medium of the piece of art. The original artwork's inscription is the following: signed and dated lower center: Waldmüller 185 [?]. The piece of art belongs to the Belvedere's art collection in Vienna, Áo. Với sự lịch sự của - © Belvedere, Viên, số kiểm kê: 3796 (giấy phép: phạm vi công cộng). : purchase from Irma Pollak, Vienna in 1950. Furthermore, alignment of the digital reproduction is in cảnh quan định dạng và có tỷ lệ cạnh là 1.2: 1, nghĩa là chiều dài hơn chiều rộng 20%. The painter Ferdinand Georg Waldmüller was an artist, whose artistic style was mainly Realism. The painter lived for a total of 72 years and was born in 1793 in Vienna and passed away in 1865 in Hinterbrühl bei Wien.

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Waldmüller, who held in his portraits, especially representatives of the Viennese bourgeoisie, the peasantry developed in his genre paintings as an excellent observer. In many paintings he described both parties (the Corpus Christi morning, Lower Austrian farmer wedding, the bride's farewell) and random events and the everyday - motifs that he found in the field of near Vienna nearby Vienna Woods or in the Salzkammergut. Content, he focused less on the hard agricultural work, but rather on the rural life in itself, old people, mothers and children in particular counted while his popular models; in the comparison of the generations it demonstrated the course of life. Waldmüller started relatively late to deal with the genre painting. In the early forties he found that may apply to him the form. Every now and then a certain tendency to "staging" and sometimes almost unnatural movements that likes used for their gain, contributing sometimes sharp contouring, flickering sunlight shows. From the mid-fifties, the artist began to give people more in its large-scale landscape paintings incorporate. With the group of brushwood collectors who have settled in the clearing on the hill laced their bundles, the painter held an everyday image of rural life area. The radiant in the foreground summer sun sets contrasts with the dark shadow areas, resulting in an increase in the plasticity and to an increased emphasis on reds, blues and whites of garments. The luminosity of the sun loses in the gently running back Bergland but increasing intensity of which is in the valley castle fall only a few rays. From the clearing of the views to extend high above the peaks to infinity, the mountain ranges lose with the removal of its tangible color. The haze on the horizon makes the green of the wooded slopes increasingly assume the color of the sky. The so popular in other Waldmüller summer blue sky is covered with clouds here - illuminated by the evening sun give the clouds, the field a warming, uniform tint. The view of the Alpine foothills with which finally uplifting Schneeberg is one of the last, and also the most beautiful "landscapes" Forest miller. Broad, she exudes an almost solemn rest, are in man and nature to unity. Literature: Grimschitz, B .: Ferdinand Georg Waldmüller, Salzburg 1957; Boxwood, M .: Ferdinand Georg Waldmüller, Vienna, 1976; Schröder, K. A .: Ferdinand Georg Waldmüller and the discovery of reality, in: exh. Cat. Kunstforum Vienna, Munich 1990; Feuchtmüller, R .: Ferdinand Georg Waldmüller. 1793-1865, Vienna, Munich 1996. [Sabine Grabner, in: Grabner, Sabine Romantic Classicism Biedermeier (in the Austrian Gallery Belvedere), 2nd revised edition, Vienna 1997, p 100 f.]

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