Elihu Vedder, 1875 - Bão ở Umbria - bản in mỹ thuật

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• In kính acrylic: A glossy acrylic glass print, which is often referred to as a UV print on plexiglass, will convert your favorite original into marvellous home decoration. Your favorite work of art will be made with modern UV direct print technology. The major advantage of an acrylic glass print is that contrasts as well as image details will be more recognizeable because of the delicate tonal gradation in the print.

Lưu ý pháp lý: We try our best to describe the art products in as much detail as possible and to illustrate them visually. At the same time, the colors of the printed materials and the imprint might differ to a certain extent from the image on your device's screen. Depending on your settings of your screen and the quality of the surface, not all colors are printed as realisitcally as the digital version depicted here. Given that all the are processed and printed by hand, there might as well be slight deviations in the exact position and the size of the motif.

(© Bản quyền - Viện nghệ thuật Chicago - Viện nghệ thuật Chicago)

Between 1867 and 1875, Elihu Vedder painted numerous scenes of Umbria, a region in central Italy that lies roughly halfway between Rome and Florence. These works integrate characteristic features of the area—wide basins and river valleys flanked by the Umbrian-Marchigian Apennine mountain range—with pastoral details such as goatherds and dramatic atmospheric effects. Since the early 19th century, numerous American artists had traveled to Italy to further their artistic educations and to experience the history of European art. Vedder continued this tradition by finding inspiration in Italy’s varied landscape and rich traditions.

Tóm tắt bức tranh có tựa đề Storm in Umbria

Kiệt tác thế kỷ 19 này có tựa đề Storm in Umbria được tạo bởi Elihu Vedder vào năm 1875. Bản gốc đo kích thước: 33 × 114,3 cm (13 × 45 in). Oil on canvas was applied by the artist as the medium of the painting. Signed lower right: "Elihu Vedder Rome 1875" was the masterpiece's inscription. It belongs to the collection of Art Institute Chicago. With courtesy of Art Institute Chicago (được cấp phép - phạm vi công cộng). Tín dụng của tác phẩm nghệ thuật: Bộ sưu tập của ông bà Samuel M. Nickerson. Ngoài ra, sự liên kết là trong cảnh quan định dạng và có tỉ số cạnh là 4: 1, điều đó có nghĩa là chiều dài gấp bốn lần chiều rộng.

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