Franz Eybl, 1850 - Cô gái đọc sách - bản in mỹ thuật

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T 19th thế kỷ tác phẩm nghệ thuật được tạo ra bởi Franz Eybl trong năm 1850. Bản gốc đo kích thước: 53 x 41 cm - kích thước khung: 78 x 67,5 x 8 cm kính cường lực. Oil on canvas was applied by the artist as the medium of the artwork. Signed and dated lower left: F. Eibl. / 1850th was the painting's inscription. Moveover, this work of art can be viewed in in the của Belvedere bộ sưu tập kỹ thuật số. Với sự lịch sự của - © Belvedere, Viên, số kiểm kê: 7333 (phạm vi công cộng). Creditline of the artwork: purchase from Fritzi Ecker, Reichenau an der Rax in 1985. In addition to this, the alignment is chân dung với tỷ lệ khung hình là 1: 1.2, Có nghĩa là chiều dài ngắn hơn 20% so với chiều rộng. The painter, lithographer Franz Eybl was a European artist from Austria, whose artistic style can mainly be classified as Realism. The European painter lived for 74 years - born in the year 1806 in Vienna, Vienna state, Austria and passed away in 1880.

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In the product dropdown menu you can select the material and sizeaccording to your personal preferences. The following sizes and materials are the options we offer you for individualization:

• Tranh sơn dầu: The canvas print is a printed canvas stretched on a wood frame. It makes the plastic look of three-dimensionality. What is more, canvas print makes a soft and positive feeling. A canvas of this masterpiece will allow you to transform your own into a large collection piece like you know from art galleries. A canvas print has the great advantage of being relatively low in weight, meaning that it is easy to hang your Canvas print without the support of any wall-mounts. Therefore, a canvas print is suitable for any kind of wall in your house.
• In poster trên chất liệu canvas: The poster print is a UV printed sheet of cotton canvas paper with a slightly rough finish on the surface, that resembles the original masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6 cm round about the work of art in order to facilitate the framing.
• Nhôm dibond (bản in kim loại): These are metal prints on aluminium dibond with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is the perfect introduction to art prints with aluminum. For the Direct Aluminium Dibond option, we print your artpiece onto the aluminium white-primed surface. The white and bright parts of the original artwork shine with a silk gloss but without any glow. The colors of the print are luminous and bright in the highest definition, details appear crisp.
• Bản in thủy tinh acrylic (với lớp phủ thủy tinh thật): A glossy print on acrylic glass, often denoted as a plexiglass print, changes your favorite original artwork into wall decoration. The work of art will be printed with state-of-the-art UV direct printing machines. This creates the image effect of vibrant, sharp color tones. With an acrylic glass art print contrasts plus painting details will be recognizeable due to the very subtle gradation in the print.

Important information: We try whatever we can in order to describe the products as accurately as possible and to showcase them visually. However, the tone of the print products, as well as the print result can vary slightly from the presentation on your monitor. Depending on the screen settings and the condition of the surface, colors may not be printed 100% realistically. Because our fine art prints are printed and processed manually, there may as well be slight discrepancies in the exact position and the size of the motif.

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Additional artwork information by Belvedere website (© Copyright - by Belvedere - Chòi canh)

At the age of ten years Franz Eybl entered the Vienna Academy of Fine Arts one, studied initially sculpture, but soon moved to landscape painting and history painting and trained in lithography. His painted in oil portraits found great popularity especially because of the excellent Technique and its image fidelity. Through his lithographic portraits he gained great importance and the then leading lithographers Josef Kriehuber was identified. The study of genre painting sat at Eybl one from the thirties, where he presented his "models" with a preference before the landscape of the Salzkammergut in each costume. Most are Einfigurenstücke, which are characterized mainly by their painterly quality, but do not overlook a certain detachment. The presentation of the reading girl, an unusual theme for the painter, is one of its intimate character of his best works. The girl is being held full-frame and against a neutral background; lost in thought, it seems to perceive nothing of his surroundings. About this privacy addition, however, the painting stands out due to the excellent handling of color, which, reduced to a few warm tones, rich nuanced and may reflect when read by a well-balanced lighting the sensation of the girl. At the same time this serves as a document for developing in the 19th century reading culture that from now on no more scientific or didactic claims to meet, but a broader social class as entertainment was available. Literature: Kastel, I .: Franz Eybl, Diss. Phil. (Unpublished), Vienna 1983. [Sabine Grabner, in that this .: romanticism, classicism, Biedermeier. In the Austrian Gallery Belvedere, the second verb. Ed. Vienna 1997, pp 120-121]